Top five things that are making me happy right now:
Having a new studio space to play in (admittedly, the lifting and organising makes me less happy)
Watching someone crochet on the bus the other day
Listening to audiobooks and podcasts
Knitting a tiny emotional support chicken
Being outside in the sunshine 🌞
I’m interested in mixed media and journalling so I’m working on collage elements right now. Hopefully I’ll be able to share them with you soon. This is a stack of leaves I have finished – watercolour, crayon, acrylic – whatever.
Yesterday I began working on birds. I began with watercolour blobs, then added Brusho – they are my favourites. After I remembered what a bird looks like, I progressed to line drawings. I think I’d like to do some crows next.
It feels so deliciously indulgent to take over the Big Table! Felicity the Monstera seems to like it up here too – I think she gets more light.
Someone posted in a group the other day and it was a bit of an unitentional bucket of cold water.
They were decorating their home and considering artwork, and they were asking for the names of well-known artists. They said they loved floral, colourful pieces and had seen some lovely pieces by local artists, but they were hoping to buy “proper art pieces” – ‘investment’ pieces that could be handed down to the children.
Here’s my response:
Slightly biased – I’m an artist. Buy what you like, what you want to walk past or admire and enjoy every day. By buying from small local artists, you are putting food in bellies and paying bills, and I guarantee they are doing a happy dance! Who knows? You could snag an early work of a great artist, that could be worth something later.
Make sure you have a few frames for the children’s artwork. Encourage them, everyone needs creativity.
Someone else commented that you don’t get to guarantee what becomes an investment, so buy what you like and support someone whose work you enjoy. Solid advice.
Someone else said they like pieces which remind them of special places or events – a lovely idea.
Other people have responded with the names of artists and galleries, which is probably more what the original poster had in mind, but without a reason why.
I just find it frustrating – if nobody supports small, unknown artists, there will be no new art. It’s like saying ‘Your work is worthless until it is worth something’, or even ‘You aren’t a real artist until this person decides you are, or you win this award.’ (Insert appropriate emoji here, You know the one I mean).
But art isn’t important because it appreiates in value. It’s important because it means something. If we don’t accept new artists, we miss out. Imagine sticking to the old masters – we would have no artists who are Black, women, disabled, queer, protest art, and more. No impression (it’s loose), no abstract (what it is?), no surrealism (doesn’t make sense). Interesting art movements start with art that is not proper.
When you buy from a small artist, you’re paying a bill, feeding a family, making space for more creativity in the world. You’re supporting a dream. And, who knows—you might even snag an early piece of a growing artist. Supporting a local artist is a tiny act of rebellion, choosing to shape the future instead of withdrawing into the past.
If the art doesn’t appreciate in value? You’ve got a piece of beauty you enjoy, that reminds you of something, or just brings joy to your home.
Painting by my Nan
My most precious pieces have been painted by my grandparents and my kids. (I’m looking forward to having one of my Dad’s for my collection). Imperfect, personal, full of memories. A story of where we have been, and where we are going.
So I suppose it depends what you’re after. Money, or memories. I know what I’d rather inherit.
Seriously, if you want a master, just buy a print. You have kids. It’s all going to end up covered in cheese and fingerprints anyway.
